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"Al Aaraaf" is an early poem by American writer Edgar Allan Poe, first published in 1829. It is based on stories from the Qur'an, and tells of the afterlife in a place called Al Aaraaf. At 422 lines, it is Poe's longest poem.

"Al Aaraaf", which Poe claimed to have written before he was 15, was first published as the major poem in Poe's 1829 collection Al Aaraaf, Tamerlane, and Minor Poems. The book and "Al Aaraaf" in particular received mostly negative reviews for its complexity, obscure references, and odd structure. Some, however, noted the potential in the young poet, including John C. Neal, to whom Poe had shown "Al Aaraaf" prior to publication. Poe would later refer to Neal's response as the first words of encouragement he had received. Nevertheless, the negative response to "Al Aaraaf" may have inspired Poe's later poetic theory that poems should be kept short.

Years later, in 1845, Poe used "Al Aaraaf" to hoax members of the Boston literary circle during a reading. Poe claimed the poem was a new one and his audience was perplexed by it. He later claimed a Boston crowd did not deserve a new poem. He held a strong dislike for New England poets and the New England-based Transcendental movement and hoped by presenting a poem he had written in his youth would prove Bostonians did not know good literature."Al Aaraaf" is the longest poem Poe wrote[1] and was inspired by Tycho Brahe's discovery of a supernova back in 1572 which was visible for about seventeen months.[2] Poe identified this nova with Al Aaraaf, a star that was the place between paradise and hell. Al-A`raaf (Arabic الأعراف, alternatively transcribed Aʿraf or Al Orf) was a place where people who have been neither markedly good nor markedly bad had to stay until forgiven by God and let into Paradise,[3] as discussed in Sura 7 of the Qur'an.[4] As Poe explained to a potential publisher:

Its title is "Al Aaraaf" from the Al Aaraaf of the Arabians, a medium between Heaven and Hell where men suffer no punishment, but yet do not attain that tranquil & even happiness which they suppose to be the characteristics of heavenly enjoyment.[3]

In the opening section of the poem, God commands Nesace, a name for Beauty's spirit, to convey a message to "other worlds". Nesace rouses the angel Ligeia and tells her to awaken the other thousand seraphs to perform God's work. Two souls, however, fail to respond: the "maiden-angel" Ianthe and her "seraph-lover" Angelo (Michelangelo), who describes his death on earth and the flight of his spirit to Al Aaraaf. Ianthe and Angelo are lovers, and their failure to do as Nesace commanded results in God not allowing them into heaven.
Analysis

"Al Aaraaf" is thick with allusions and, because of this, is often avoided by scholars because, as writer Arthur Hobson Quinn notes, it can be "unintelligible". Nevertheless, Quinn says it possesses qualities which are important to understand the development of Poe's skills as a poet.[5] "Al Aaraaf" mixes historical facts, religious mythology and elements of Poe's imagination. The poem primarily focuses on the afterlife, ideal love, and ideal beauty in relation to passion.[6] The majority of the poem focuses on this reaching for ideal beauty and aesthetics.[7] Characters in the poem serve as representative symbols of personified emotions. The goddess Nesace is beauty, Ligeia represents the music in nature, Ianthe and Angelo are creatures of passion.[8]

The poem draws from Sura 7 (Arabic الأعراف) in the Qur'an;[4] Poe also drew upon the Qur'an in other works, including "The Thousand-and-Second Tale of Scheherazade".[9] In "Al Aaraaf", Poe was probably less interested in the Qur'an itself and more interested in an atmosphere of the exotic or otherworldliness.

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