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Detailed in Volker Hage's book, From a Fireball to a Classic, is the "dare-devil" Schiller's erotic obsession focused on two sisters, Charlotte, 21, and Caroline von Lengefeld, 24, the latter of whom was unhappily married. Schiller, then 29, spent the summer with them in 1788 – "a summer which he so didn't want to end he dragged it out until November until the concerned mother of the young ladies told him it was time to go home," according to Hage.

Schiller, who died at 45 in May 1805, expressed his love to the women whom he referred to as "the angels of my life". The phrase was coined in a single letter in which he wrote: "To be able to live only in the two of you, and you in me – oh, that is an existence which would put us above all other humans." He eventually married the younger Charlotte and had four children with her. Schiller said the marriage brought him the "harmonious parity" he needed to be able to write.

Some of his love letters are on display in the newly reopened Schiller National Museum, located in his birthplace, Marbach in southern Germany. The museum boasts 700 exhibits, including a sample of the green wallpaper in his workroom that scientists have discovered contained lead, copper and arsenic that might have contributed to his chronic lung complaint and premature death.

Also on show are his shoe buckles, spoons and hand-warmers. Restored by the British-based David Chipperfield architects, the museum places on display everything from the writer's toothpicks to his blue-and-white-striped silk stockings.

The most disappointing aspect of the commemorations for enthusiasts – albeit a stark illustration of the lengths Schiller experts have been prepared to go to find out as much as possible about him – is the discovery that the skull that his great friend Goethe displayed on his desk, apparently believing it to be Schiller's, did not belong to him.

Extensive forensic investigation over years, costing tens of thousands of euros, including taking DNA samples from Schiller's descendants, has revealed that the skull is probably a fake.

Rüdiger Safranski, a Schiller expert, has delivered a fresh and touching account of the friendship between the two poets, and how they inspired each other, in Goethe and Schiller: History of a Friendship. The two men even composed poems together, despite the difficulties they had in reconciling their different daily rhythms – Goethe was a morning person, Schiller, because of the cramps he suffered at night, decidedly a nightbird. Goethe, he relates, was nonplussed at Schiller's insistence on maintaining a drawer full of rotten apples in his workroom, claiming he needed their decaying scent in order to be able to write.

The new Schiller revival, believes Safranski, may be a short-lived and bittersweet affair, in the best Romantic tradition. Safranski, who also wrote Romanticism – A German Affair, points to the nation's current mediocre capacity for the grandeur of Schiller's passions, observing: "From a romantic point of view, we've reached the end. Romanticism is dead, our sense of possibility is dried out.

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