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Romantic love poem biography

Hasrat Jaipuri's real name was Iqbal Husain. Till 1939, he lived in hometown Jaipur where he studied English till 'medium level' and then acquired his 'taalim' in Urdu and Persian from his learned grandfather, Fida Husain. He began writing verse as late as the age of 20, and around that time, he fell in love with a neighborhood girl called Radha. “Love knows no mazhab or dharam,” he told me. “It is not at all necessary that a Muslim boy must fall in love only with a Muslim girl. My love was silent, but I wrote a poem for her, `Yeh mera prem patra padh kar, ke tum naaraaz na hona.’” And that 'letter' may never have been delivered to Radha, but Raj Kapoor was to later deliver it to the world as the perennial mantra for lovers of all generations in his Sangam (1964).

In Mumbai, Hasrat Jaipuri took the secure job of a bus conductor and satiated his creative urges by participating in mushairas. The late Prithviraj Kapoor heard his verse and recommended him to his son Raj Kapoor who was planning a musical love story with two new composers, Shanker - Jaikishan. "We met at the canteen of the Royal Opera House where Prithvirajji used to stage his plays, and Rajji signed me for Barsaat. My first recorded song was "Jiya beqaraar hai" tuned by Shanker. The second was "Chhod gaye baalam", my first song with Jaikishan, and my first duet.”

This association continued till 1971. “After Jai's death and the failures of Mera Naam Joker and Kal Aaj Aur Kal, Rajsaab changed his music team. I was happy that he left us to go to the only other great team in our films - Laxmikant Pyarelal and Anand Bakshi. But he wanted to call me back for Prem Rog. That did not work out because someone recommended Amir Qazalbash to Rajsaab. But I was back with "Sun sahiba sun" which Rajsaab told me to write to one of his own tunes which he had used as the English song "I love you" in Sangam. He then called me for three songs for Henna, but after Rajsaab's death, the music director conspired to scrap them and replace them with his own lyrics.” This was the only time I found Hasrat Jaipuri bitter: “They were my last link with Raj Kapoor and RK,” he said, his voice brimming with a queer mix of anger, grief and resignation.

The eternal realist, Hasrat Jaipuri told me how lucky he was to have married a woman who advised him to invest his earnings in property. “Today, the rents that come in from my tenants keep me comfortable so that I am not forced to work for my rozi-roti and my family. I accept assignments that are offered and don't have to run after films, music directors and music companies for work. I am very proud of my children - two sons and a daughter - but the art of poetry is God-gifted and cannot be learnt, and they have not been gifted with it.”

He won innumerable awards, honours and mementos. Among them were two Filmfare trophies (for `Baharon phool barsao’ from Suraj and `Zindagi ek safar hai suhana’ from Andaz) and two awards - the Doctorate from the World University Round-Table and the Josh Mahilabadi award from the Urdu Conference for his literary work as a poet. Also the Dr Ambedkar award for a film song, `Jhanak jhanak tori baaje payaliya’ from Mere Huzoor, which was written with a blend of Hindi and Brij Bhasha. Apropos that, the poet once said, "Hindi and Urdu are like two great and inseparable sisters. Even my books on poetry are in Hindi as well as Urdu." His latest published compilation was "Abshaar-E-Ghazal."

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