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Romantic poems for girlfriend biography

Everything in Knox Overstreet’s (Josh Charles) life occurred out of impulse, out of his romanticism, and just because everything “worked out” for him in the end, doesn’t mean that this concept was the true meaning of the film. Knox was a static character – he didn’t undergo any kind of self-realization like Todd did. He just threw himself into romanticism and used that as his interpretation of “carpe diem”. I wonder what he would have done had he not gotten Chris – maybe he would have killed himself like Neil. To me, their situations were quite similar but had different outcomes.

Knox’s Obsession

Knox’s “object of desire” was Chris. His entire existence revolved around her (his thoughts, poetry, behavior, etc) He broke rules to see her, competed for her attention with her boyfriend, and sacrificed his relationship with his family and with the Dansburrys. And he was ready to do this based on a one-time event where he interacted with her briefly, and in the name of “love” nevertheless.

Unfortunately, Chris is practically engaged to the son of one of his family’s friends, the Dansburry’s. It is at a dinner event at the Danburry’s that Knox first sees Chris, as she is currently dating Chet Dansburry. After that initial meeting, Knox does everything in his power to win her over.

He rides his bike to a football game to see her. He calls her, exclaiming first “Carpe Diem… even if it kills me,” and is elated when she invites her to a party that Chet is having. At that party and after a few drinks, he makes a move on Chris in the same room as Chet, who then proceeds to punch Knox several times.

Knox was the lucky one of the romantics, as the only “authority figure” he came into contact with was Chet, and Chet really wasn’t much of the authority figure that Mr. Perry was to Neil or that the school was to Nwanda, so maybe that is why things worked out better for Knox than Neil and Nwanda. After all, Chris was able to make the choice of whether to be with Knox or Chet in the end, anyway.

Also, in the cave during a DPS meeting Knox proclaims that if he can’t have Chris, he’ll die. Ironically, it was Nwanda that told him to calm down. Nwanda also calls him “noxious” which is defined by Webster as:

(a) physically harmful or destructive to living beings (noxious wastes that poison our streams)
(b) constituting a harmful influence on mind or behavior : morally corrupting (noxious doctrines)

Chris obviously does like the attention Knox gives her, and in the end, holds his hand at the play. Although this has a happy outcome, this is completely an example of romanticism. Everything Knox did was based on his feelings for a girl that he knew as “Chris.” This must be stressed, as who the girl “Chris” actually was is unknown to him. He only knows what he perceives of her to be and the challenges he must overcome to obtain her as his girlfriend. Thus, she is presented as an object, not a person. What becomes of the relationship is unknown to us. Maybe it was a one time event, maybe it lasted longer then that. The main point is that Knox risked quite a lot for a girl he never really even talked to. Many times the “wanting” is more intense than the actual being in the situation. We are only left to wonder if it was as good as Knox thought. “Love” is dependent on knowing who the person is, what their personality is like, what they like and dislike, what their faults are, among others. It is far deeper than the short term “infatuation” Knox was experiencing.

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