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Barbara Hammer is a lesbian filmmaker and widely held to be an originator of queer cinema. She was born on May 15, 1939 in Hollywood, California. A highly prolific filmmaker and videographer, Barbara Hammer has directed over eighty films and videos throughout her thirty-year career. Barbara Hammer made the world's first lesbian films in 1974 (Dyketactics) and 1976 (Women I Love). Since then she has made over three dozen films. Her most recent feature length films include Lover Other (2006) and Resisting Paradise (2003).

Barbara Hammer is the grandchild of D.W. Griffith’s cook, and she was introduced to such screen luminaries as Lillian Gish as a child. But it was not until the 1970’s when Barbara left her marriage and took off on a motorcycle when she began her own filmmaking career. In 1974, while attending school in UCLA, the young Barbara met a group of women and realized she was both a lesbian and a feminist. Her early films from the 1970s, which were experimental shorts ranging from three to twenty-five minutes in length, explored the themes of sapphic desire and processes of female reproduction. In 1974 Barbara Hammer introduced the first lesbian film to the world, Dyketatics. The film was a short and was shot close-up in all black and white. The film features real sex between two women, Hammer and a friend, the film was very controversial and groundbreaking. Barbara says the following about the film in an interview with BOMB magazine:

"I was lucky when I made Dyketactics I didn’t realize that it was the first lesbian film made by a lesbian. I would have been so afraid and intimidated. Instead, I just burst out and let my energy carry me through my work. In some ways being alone was great. There was a blank screen and I was filling it. That was a thrill. At the end of Dyketactics, I showed a vagina on the screen and this man screamed, AAAAAAAHHHH! All the women said, Haven’t you seen that before?"

Barbara Hammer's work has received international exposure and recognition. In 2007, The Chinese Cultural University, Taiwan, held a retrospective for Barbara Hammer as a tribute to her work. Barbara Hammer's films, most of them shot on Super-8 or 16mm film, engage in a dialectic with the material dimension of film. This can be seen clearly in her film Sanctus (1990), which was created from previously shot film of moving x-rays by Dr. James Sibley Watson. The technological dimension of bodily movements and functions emerges in pulsating visual sentences overlapping text, portrait, and diagram. Sanctus, as well as her work in the 1980s, makes use of optical printing as a means of transgressing the purity of perception. Barbara Hammer also uses archival footage in her films, for example footage of Black Panther rallies and labor strikes in the film Tender Fictions (1995), to contextualize her personal experience as a lesbian filmmaker.

Barbara Hammer has always proudly declared to be both a feminist and a lesbian, as she says in an interview with Ellen.com:

"I was told by feminists who were promoting writers and performers at the time, I should choose. Which did I want to be? Either an avant-garde artist or a lesbian filmmaker, I couldn't be both. I just never could make that choice, because I love both. I just followed my instincts and made films about what I needed to make films about."

Barbara Hammer's documentary films tend to deal with people and groups who have been excluded and relegated to the margins of history. Functioning neither as objective historical documents nor as subjective diaries, her films are intended to situate the viewer within an historical process so as to engage with the struggles for liberation. Her film Nitrate Kisses (1992) was chosen for the 1993 Whitney Biennial. Barbara Hammer was a Fulbright Senior Specialist in Fall 2005 at the Bratislava Academy of Art and Design, Slovakia.

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